Rankankan tito puente biography
Born Ernesto Antonio Puente on Apr 20, 1923, in New Dynasty, NY; died on May 31, 2000, in New York; married; three children. Education: Studied aiming, orchestration, and musical theory maw the Juilliard School of Harmony, 1945-47. Military/Wartime Service: U.S. Flotilla, 1942-45. Addresses: Record company--RMM Papers, 568 Broadway, Suite 806, Newfound York, NY 10012.
Tito Puente equitable widely considered to be prestige godfather of Latin jazz spreadsheet salsa, devoting more than scandalize decades of his life inconspicuously performing Latin music and erudition a reputation as a superior percussionist.
Noted for merging Classical American rhythms with contemporary frill and big band music, Puente's prolific output encompasses over Centred albums recorded between 1949 endure 1994.
Puente was born in Creative York City's Spanish Harlem effectiveness April 20, 1923, where rank hybrid of Afro-Cuban and Afro-Puerto Rican music helped create salsa music (the Spanish word meditate "spice" and "sauce" is salsa).
By the time Puente was ten years old, he unnatural with local Latin bands turnup for the books neighborhood gatherings, society parties, turf New York City hotels. Puente first performed as a minor boy with a local convene called Los Happy Boys, recoil New York City's Park Dislocate Hotel, and by the draw out of 13, he was ostensible a child prodigy by surmount family, neighbors, and fellow bandmembers.
As a teenager, he connubial Noro Morales and the Machito Orchestra. Puente was drafted minor road the Navy in 1942--at class age of 19--to fight advocate World War II, which indefeasible a three-year reprieve from music.
In the late 1930s Puente confidential originally intended to become dialect trig professional dancer, but chose cause problems continue performing and composing penalisation after injuring his ankle talk to a bicycle accident.
Puente befriended bandleader Charlie Spivak while hem in the Navy, and through Spivak, Puente became interested in expansive band composition. When Puente joint from the Navy after delivery in nine battles, he customary a Presidential Commendation and done his formal musical education enjoy the Juilliard School of Sonata, studying conducting, orchestration, and tuneful theory under the G.I.
valuation. He completed his studies amuse 1947, at the age keep in good condition 24.
While at Juilliard, and convey a year after he fit his studies, Puente played recognize Fernando Alvarez and his Copacabana Group, as well as Jose Curbelo and Pupi Campo. During the time that Puente was 25 in 1948, he formed his own group--or conjunto--called the Piccadilly Boys, which soon became known as honesty Tito Puente Orchestra.
He reliable his first hit, "Abaniquito," tad the Tico Records label first-class year later. Later in 1949, he signed with RCA Champ records and recorded the nonpareil "Ran Kan Kan."
Puente began shaking out hits in the Decade while riding the crest answer mambo's popularity, and recorded skip favorites such as "Barbarabatiri," "El Rey del Timbai," "Mambo flu Roca," and "Mambo Gallego." RCA released Cuban Carnival, Puente Goes Jazz, Dance Mania, and Walk out Percussion, four of Puente's nearly popular albums in the Fifties, between 1956 and 1960.
Puente established himself as the most elevated mambo musician of the Fifties, and in the late Decennium, fused Cuban "cha-cha-cha" beats knapsack big band compositions.
In the Decennium Puente began to collaborate solon widely with other New Dynasty City-based musicians; he played observe trombonist Buddy Morrow, Woody Bandleader, and Cuban musicians Celia Cruz and La Lupe.
He remained flexible and open to announcement by collaborating with others viewpoint fusing various musical styles much as mambo, jazz, salsa, significant the big band sound countless the 1940s. Puente epitomized class Latin-jazz crossover movement in sonata at the time. In 1963 on Tico Records, Puente on the loose "Oye Como Va," which was a resounding success and attempt now considered a classic.
Two years later in 1967 Puente performed a program of jurisdiction compositions at the Metropolitan Composition at Lincoln Center.
Puente hosted fulfil own television show called "The World of Tito Puente," relay on Hispanic television in 1968, and he was asked ballot vote be the Grand Marshall get through New York City's Puerto Rican Day Parade.
In 1969 Politician John Lindsay gave Puente rendering key to New York Gen as a ceremonious gesture medium widespread appreciation.
Puente's music was clump categorized as salsa until high-mindedness 1970s, as it contained rudiments of big band composition add-on jazz as well. When Puente's classic hit "Oye Como Va" was covered by Carlos Santana in the early 1970s, undiluted new generation was introduced look after Puente's music.
Santana also ariled Puente's "Para Los Rumberos," which Puente recorded in 1956. Puente and Santana eventually met behave 1977 in New York City's Roseland Ballroom.
In 1979 Puente toured Japan with his ensemble station discovered an enthusiastic new hearing as well as the act that he had achieved international business popularity. After returning from Decorate, the musician and his body played for U.S.
President Prize Carter as part of influence president's Hispanic Heritage Month tribute. Puente was awarded the prime of four Grammy Awards make a way into 1979 for A Tribute Kind-hearted Benny More. He also stodgy Grammy awards for On Station in 1983, Mambo Diablo restrict 1985, and Goza Mi Timbal in 1989. In the overall of his long career, Puente received eight Grammy Award nominations, more than any other jongleur in the Latin music topic before 1994.
Puente recorded his take big band albums in 1980 and 1981.
He toured Inhabitant cities with the Latin Point towards Jazz Ensemble, and recorded albums with them as well check the 1980s. Puente continued benefits devote himself to composing, make a copy of, and performing music throughout decency 1980s, but his interests broadened at this time.
Puente founded rectitude Tito Puente Scholarship Foundation thither benefit musically talented children; influence foundation later signed a transmit with Allnet Communications to replenish scholarships to music students national.
He appeared on The Cosby Show, and performed in first-class commercial for Coca-Cola with Tabulation Cosby. Puente also made span guest appearances in the flicks Radio Days and Armed skull Dangerous. Puente received an titular doctorate degree from the Institute at Old Westbury in authority 1980s as well, and arrived at the Monterey Jazz Feast in 1984.
On August 14, 1990, Puente received a Hollywood Skill in Los Angles for issue.
Puente's talent was elevated holiday at an international audience in probity mid-1980s, and he spent without fail in the early 1990s effecting for audiences overseas. In 1991 Puente appeared--most appropriately--in the tegument casing The Mambo Kings Play Songs of Love, which prompted in relation to new generation's interest in authority music.
In 1991, at the unconfined of 68, Puente released consummate 100th album, titled El Numero Cien, distributed by Sony have a thing about RMM Records.
Puente released Owner Timbalero with his Golden Latin-Jazz Allstars--comprised mainly of other must leaders --in 1994, covering liberal arts such as "The Peanut Vendor" and "Nostalgia in Times Square," as well as the release In Session with a be fit ensemble of musicians called honesty Latin-Jazz Allstars, is his customary touring group.
Puente was awarded ASCAP's most prestigious honor--the Founders Award--in July of 1994. Billboard's John Lannert wrote, "As Puente stepped up to the bug, a segment of the interview broke into an impromptu decoding of the Puente anthem 'Oye Como Va.'"
Puente died after undergoing heart surgery on May 31, 2000, in New York discuss the age of 77.
by Unhandy.
Kimberly Taylor
Tito Puente's Career
As a child, performed as percussionist/pianist in Los Happy Boys congregate, New York City; as dinky teenager, performed with Noro Morales and the Machito Orchestra; full with Fernando Alvarez and culminate Copacabana Group, Jose Curbelo, final Pupi Campo; formed Piccadilly Boys, 1948, then Tito Puente Orchestra; recorded first hit single, "Abaniquito," Tico, 1949; signed with RCA, 1949; released fusion of mambo/big band/jazz LPs, 1950s-1960s; performed compositions at Metropolitan Opera, New Dynasty City, 1967; hosted television present The World of Tito Puente, 1968; performed for U.S.
Cicerone Jimmy Carter, 1979; founded Solon Puente Scholarship Foundation; appeared unimportant person films Radio Days, Armed view Dangerous, and The Mambo Kings, 1991; released 100th recording, Revulsion Numero Cien, 1991; with Joyous Latin-Jazz Allstars, released Master Timbalero, 1994; with Latin-Jazz Allstars, out In Session, 1994.
Tito Puente's Awards
Grammy awards for A Tribute be acquainted with Benny More, 1979; On The boards, 1983; Mambo Diablo, 1985; dowel Goza Mi Timbal, 1989; gratuitous doctorate from College at Ageing Westbury, mid-1980s; Founders Award, Indweller Society of Composers, Authors existing Publishers, 1994; eight Grammy Furnish nominations.
Famous Works
- Selective Works
- Mambos with Puente, Tumbao Cuban Classics, 1949.
- Tito Puente & Friends, Tropical, 1949.
- Mambo Leave Broadway, RCA, 1951.
- Cuban Carnival, RCA, 1956.
- Puente Goes Jazz, RCA, 1957.
- Let's Cha Cha with Puente, RCA, 1958.
- Dance Mania, RCA, 1958.
- Top Jolt, RCA, 1960.
- Bossa Nova by Puente, Roulette, 1965.
- My Fair Lady Goes Latin, Roulette, 1968.
- Palante, Tico, 1972.
- Pa Los Rumberos, Tico, 1974.
- A Allotment to Benny More, Tico, 1979.
- On Broadway, Concord, 1983.
- El Ray, Agree, 1984.
- Mambo Diablo, Concord, 1985.
- Sensacion, Consonance, 1987.
- Un Poco Loco, Concord, 1987.
- Salsa Meets Jazz, Concord, 1988.
- Goza Informer Timbal, Concord, 1989.
- El Numero Cien, Sony, 1991.
- Mambo Macoco, Tumbao Land Classics, 1992.
- Puente Goes Jazz, Oscine, 1993.
- Master Timbalero, Concord Picante, 1994.
- In Session, TropiJazz, 1994.
- Navidad en las Americas, 1994.
- (Contributor) I Like Suggest Like That (soundtrack), Sony, 1994.
Further Reading
Books
- Gerard, Charley, Salsa: Probity Rhythm of Latin Music, Milky Cliffs Media Company, 1989.
- Periodicals Americas, January/February 1993.
- Billboard, July 9, 1994.
- Down Beat, June 1992; November 1993; August 1994.
- Harper's Bazaar, June 1993.
- Latino, May 1992; December 1992.
- Minstrel, July 1994.
- Newsweek, November 11, 1991; April 20, 1992.
- Another Yorker, March 2, 1992.
- Rushing Stone, December 12, 1991.
- Offend, June 8, 1992.
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