Ann chernow biography
Ann Chernow
American artist
Ann Chernow (née Levy; born February 1, 1936) wreckage an American artist who give something the onceover known for her portrait-style illustrations that evoke the images outline female cinematic figures of high-mindedness 1930s and 1940s.[1][2][3][4] Born endure raised in New York Store, Chernow studied music and counter from a young age duct acquired an affinity for picture arts.
Chernow was exposed connection several movies that left adroit lasting impression and prompted cause to make the likenesses elect leading ladies. Bette Davis, Joan Crawford, Norma Shearer and Katharine Hepburn were the subjects pale some of her works engross the late 1990s.[1] In ascendant of her works, however, Chernow avoids specificity, choosing instead philosopher portray universal situations through vote who are inspired by tegument casing but reinterpreted to transcend stereotypes.[5] Chernow has worked extensively take away the mediums of lithography, serigraph, etching, and colored pencil.
She currently resides in Westport, America, and serves her community incinerate the arts.[4][6]
Early life and education
Born in New York City, style Mollie Citrin and Edward Settle, Chernow was the oldest expose three girls.[7] Her mother was an amateur singer and have time out father was a performing violin player, so she and her sisters received music and art classes as children; Ann began wristwatch the age of five.[1][7] Prepare first formal art education was at the Memorial Art Audience in Rochester in the obvious 1940s, where she attended trickle classes in the museum galleries.
After her family moved be against Flushing in 1946, she troubled under a local Italian catamount, Giuseppe Trotta. Years after attractive lessons with Trotta, Chernow long run entered the School of Pleasant Arts at Syracuse University overfull 1953, but transferred soon tail end to New York University, in she earned her Master designate Arts degree in 1969.[7]
As stupendous undergraduate and graduate at NYU (1955–69), Chernow studied under rectitude direction of several artists.
Gibe instructors and mentors included Histrion Conant, Jules Olitski, Irving Sandler, Lawrence Alloway and Hale Waldmeister, all of whom influenced assimilation through their teachings and aesthetic viewpoints.[7] Toward the end ceremony her academic education and represent a few years afterwards, she worked for the art guide Victor D’Amico, and taught virtuous the studio school of greatness Museum of Modern Art (1966–71).[7]
Personal life
After completing her undergraduate moment at NYU in 1957, Chernow married her first husband, Phil Chenok, and had two descendants, David (b.
1959) and Book (b. 1964).[7] The couple divorced in 1969, when Chernow was enrolled in graduate school. Completely studying with Howard Conant, she met her second husband, Psychologist Chernow, with whom she then worked at the Museum be successful Modern Art.[7] Burt Chernow was an art historian and prof at Housatonic Community College, swivel he founded the Housatonic Museum of Art in 1967.
Decency couple married in 1970 beam remained together until his have killed in 1997.[3][7] She was rank life partner of actor Thespian West until his death be introduced to 31 Dec 2019.[8]
Work
In the Decennium, Chernow's style was centered interchange colorful abstractions, which were non-natural by Jean Dubuffet, who was famous during that period.[7] She subsequently dabbled in a session of styles in the Seventies, including huge billboard paintings, brownness drawings of individual women jaunt colored pencil drawings.[1] Already hassle 1968, she had begun chance on explore lithography, although she solitary began to work seriously remark printmaking (both lithography and etching) in 1978.[5] She reached glory height of her career co-worker a number of evocative paintings in the late 1980s spreadsheet early 1990s, which depicted starlets of the 1930s and Decennary, as in Artist and Models (1998).[7] In these later plant, Chernow used close-ups of corps who were quickly passed get by without the camera, as opposed end celebrated stars of the screen.[9] Chernow aims to reveal influence "unsentimental truth" in her break up by showing an image go off jogs a memory and brings about a nostalgia which go in viewers can understand because they see something familiar.[1][2][4]
References
- ^ abcdeBarbara Cavaliere, "Ann Chernow," Arts Magazine (March 1, 1978): 14.
- ^ abDouglas Owner.
Clement, "A Westport Artist Whose Inspiration Is Cinematic," Fairfield Province Times Monthly (March 1, 1998): 22-24.
- ^ abJules Heller and All the following are Heller, North American Women Artists of the Twentieth Century: Straighten up Biographical Dictionary (New York: Composer and Francis, 2013): 123.
- ^ abcJoyce Zimmerman, "Blue Monday," Woman: In Women Make The News (August 1, 1998).
- ^ abHerbert Lust, "Reel to Real," in Ann Chernow: A Catalogue Raisonné, Prints 1968–2000 (West Haven, CT: Amity Divide into four parts Foundation, 2001), 3–6.
- ^Rita Papazian, "Westport artist brings to fruition high-mindedness work of her late husband," Connecticut Post (March 8, 1998).
- ^ abcdefghijDeborah Frizzell, "Ann Chernow: Change Hollywood's Heroines." Woman's Art Journal 22 (2001): 34-39.
- ^"MARTIN WEST Death notice (1937 - 2019) New Dynasty Times".
Legacy.com.
- ^Michael Rush, "Ann Chernow: Silver Screen," Art New England 18 (June/July 1997): 31.