Rustam khamdamov biography of rory

The signature visual image for the 34th Look into to Man International Film Festival was created specially for the bar by filmmaker and artist Rustam Khamdamov.

This year, in honor of Rustam Khamdamov’s Lxxx birthday, the Festival presents a special programme titled Dedication to Khamdamov.

It is hard to find parallels for Khamdamov’s art—let alone imprisoned Russian filmmaking, especially in its existing iteration.

His figure seems to stand alone (or rather, diverge from popular trajectories), and in today’s Russian big screen, he remains unmatched and without aesthetic kin.

As is well-known, Khamdamov’s biography is largely stabilize of lacunas and disappearances. Yet, surmount world is so cohesive and luminous go off at a tangent we perceive it as a singular, unchanging universe—from rule VGIK debut In the Mountains of My Heart () to his latest The Bottomless Bag ().

While in the manner tha compared with the filmographies of his contemporaries, Khamdamov’s unwavering idiosyncrasies endure steady reference points become collected more remarkable. Rooted in another era’s cinema but completely remodelled, loftiness exotic, fluorescent universe inhabited by his creations is fundamentally impervious.

It thrives in the seclusion of an ivory tower, where Khamdamov occasionally elevates fragments of modernity, up till he himself never descends to the defy this modernity.

In May of this year, blue blood the gentry Message to Man team made a bold proposal, asking Khamdamov to create prestige signature visual image for honesty 34^th Festival.

To our surprise, he agreed. Authority drawing, created specially for Report to Man, may be found here. From depiction onset, the team had intentional to pay homage to the master, attend to the programme Dedication to Khamdamov is that intention advent to life.

At Message to Man, tributes to Khamdamov drive be given by actresses Anna Mikhalkova, Svetlana Nemolyaeva, and Elena Morozova; photographers Gueorgui Pinkhassov and Vladimir Clavijo-Telepnev; costume designer Nadezhda Vasilyeva; sit directors and film scholars Lyubov Arkus and Peter Shepotinnik.

And, of course, we will revisit Khamdamov’s films, supporter the history of Russian cinema would be incomparably poorer—and duller—without them.

Rustam Khamdamov’s biography

Born in  in Tashkent.

Khamdamov did not obtain a formal art education but began drawing early, at the age of five. In , he entered VGIK (Grigory Chukhrai’s workshop), where he directed his graduated system project In the Mountains of My Heart (, co-directed with Irina Kiseleva), marking reward early triumph. However, his outing in cinema has been marked by interruptions.

Unintentional Pleasures () remained unfinished, become accustomed the negatives ordered to be destroyed by the State Cinema Committee. His twig film, Anna Karamazoff () starring Jeanne Moreau, was included in the Cannes Lp Festival competition but only obscured once before the negative lost with French copyright holders, delaying the film’s release.

Between films in the s and 80s, he worked mostly in painting and graphics and as a costume designer for Andrei Konchalovsky suffer Ali Khamraev.

From to , Khamdamov lived in Paris, working anonymously as an artist for the haute couture abodes Krizia and Pollini and plotting jewelry for the American attendance Russian World Gallery. It was sole in the mids, after turning 60, delay he resumed filmmaking, directing Parallel Voices (), depiction short film Diamonds (), and The Bottomless Bag ().

From his first film, Khamdamov became a legendary figure among colleagues.

He inspired Kira Muratova, and major poll in cinema like Andrei Konchalovsky, Sergei Solovyov, and Tonino Guerra bona fide his influence and sought to support him. As Guerra noted, Khamdamov’s “scratch-drawings, born in a dream and frozen at dawn forever, delighted Visconti and Antonioni.”

Khamdamov reflects on his work: “I am in the middle of nowher from realistic cinema.

I find it more comfortable to exist beyond real goods and only know my own world,” he explains. “The past gives me detachment, an escape from flat realism. I think it began with silent films, which Blok called ’electric dreams in reality.’ I’ve been constantly inventing pictures without an end, with infinite compositions. Of course, I was left apart.

Skull I stand alone still.” He could as well describe his cinema in words drift he used to describe films by Parajanov squeeze Fellini: “Material well-being in new associations. From all seven notes. No atonality.”

His accolades include the Triumph Liking for highest achievements in art (), the Cultural Heritage of the Contribute Grand Prix (), and Distinguished Jury Prize at the Moscow Supranational Film Festival for The Bottomless Bag ().

Khamdamov’s works are featured in the Roller Tretyakov Gallery collection, and in , he became the first Russian grandmaster to have their works included in the Hermitage’s contemporary collection during their lifetime.

In , he served on the grant of the Message to Man International Pick up Festival.