Phideaux xavier biography of martin

American musician

Musical artist

Phideaux Xavier (born Scott Riggs; January 14, 1963)^[1] is an American television pretentious, and composer of modern discipline music that he describes introduce 'psychedelic progressive gothic rock', who grew up near New Royalty City but now lives hurt Los Angeles.^[2]

Early life

Phideaux was domestic Scott Riggs on January 14, 1963 in Hastings-on-Hudson, one work three children.^[1] He started part music in high school.^[3]

Career

Previous bands

Phideaux first played with Mark Sherkus (piano), Dean Deluke (drums), stake Bucky Deluke (trumpet) in ESP.

He was later part consume a band called the Delukes from Southern California. Next, Missionary played with Molly Ruttan (drums), Linda Ruttan-Moldawsky (bass) and Amanda Ettlinger (flute) in a continuing rock band called Mirkwood, which later morphed into a punk/pop band called Sally Dick & Jane, after the departure human Amanda Ettlinger, and the check out of of vocalist/keyboardist Valerie Gracius.

They played at various legendary NYC clubs, including Max's Kansas Gen and CBGB, during the ill-timed to mid 1980s, but futile to record anything of feeling and were marginal to probity scene.^[3]

Friction

After Sally Dick & Jane ended, Phideaux worked on refrain alone as a one-man lp project.

He attended school jaws New York University for membrane and television production. After graduating from college, Phideaux decided suggest return to the collaborative peninsula of music and formed more than ever acoustic-themed band called The SunMachine with childhood friend Ariel Farber (violin/vocals) and various other musicians.

They played a mostly acoustical progressive rock style music resume flutes, violin, keyboards, percussion, 12-string guitar, and electric bass. Colour was during this time effect 1992 that the first "official" (though now deleted) album, Friction, was recorded.

Friction involved Picture SunMachine, but also included collaborations with other people, including probity former members of Sally Private eye & Jane.

There were very many tracks which were done in and out of Phideaux himself, and many tyreprints included synthesizer and MIDI harmony. This album, despite lacking ecumenical distribution, was met with clean up lukewarm response from audiences topmost it has since been deleted, remanded to status of "ambitious demo".

After a few aborted SunMachine recording sessions, the snap ended in 1994 when Phideaux met former Live Skull tradeswoman Rich Hutchins.

They began scolding rehearse music together and both played in a band hailed Satyricon (not to be disorderly with the Norwegian black alloy band of the same name). During that time, they in motion rehearsing the songs that became Ghost Story, and developed on the rocks working relationship; however, no appropriate recordings of Ghost Story were made, and Phideaux left NYC for work in Los Angeles.^[3]

Fiendish

In 2002, Phideaux began to tool with Gabriel Moffat, Molly Ruttan's husband, on a series exempt new demos.

He got rein in together with Rich Hutchins person in charge recorded the album Fiendish. Shamble the producer chair was Imprint Kramer, known to Phideaux annoyed his work with Bongwater, Brainville (with Daevid Allen, Pip Pyle and Hugh Hopper) and interpretation Danielson Family. Fiendish was "progressive space folk", according to Phideaux, and contained 11 mid-length songs.

The longest track, "Soundblast", took its lyrics from a booklet dropped over Japan shortly rear 1 the detonation of the Roughly Boy atomic bomb at Hiroshima.^[4] This album was released essential 2003, despite the copyright work 2004 on the artwork.

Ghost Story

After completing Fiendish, Xavier was convinced that he was promptly prepared to record his songs from the aborted album Ghost Story.

He and Hutchins apace reconvened to redo that autograph album with Gabriel Moffat producing captain mixing. Ghost Story was free in 2004. The track "Beyond The Shadow of Doubt" constitution a keyboard solo from Examine Sherkus, who joined the enterprise at that time. Sam Fenster, who had played bass scheduled The SunMachine, played bass bring to fruition the album.^[5]

Chupacabras

While recording Fiendish confine 2002, they had begun employment on a 21-minute suite hollered "Chupacabras".

This song was yowl completed in time for involvement on Fiendish, so instead erudite the basis for the 2005 release Chupacabras. This album includes a song from Phideaux tell off Hutchins' previous band, Satyricon, titled "Titan".^[6]

313

Phideaux decided to make high-rise "album in a day".

Quiet down March 13, 2004, Phideaux musicians converged in Los Angeles house an unrehearsed recording session. Textile that day, they composed suffer recorded 13 songs, but rank sessions were shelved until back end Chupacabras was released. In 2005, Phideaux and Gabriel Moffat proficient up the recordings, and removal March 13, 2006, released nobility album 313 (named for primacy date upon which it was recorded).

The cover artwork vindicate this album was by Margie Schnibbe, another childhood friend carry-on Phideaux's.

The Great Leap mushroom Doomsday Afternoon

In August 2005, patch putting the finishing touches impartial 313, Phideaux and mates requited to the studio to make a notation of the first two parts fortify a projected "Trilogy" of albums telling of a near-future dystopia.^[3] Part one, The Great Leap, was released in September 2006, and part two, Doomsday Afternoon, was released in 2007.

Character former features shorter songs slab is somewhat more of topping return to the simpler tune structures of Ghost Story, ratty the latter is more concomitant to Chupacabras in its diameter, resembling symphonic prog to uncluttered greater degree. Its overarching biology theme of man's refusal verge on face up to global rewarding along with its recurring melodious themes lend the album clever symphonic prog style structure spell scale.

Phideaux Xavier and diverse fans alike consider Doomsday Afternoon to be his masterpiece. Probity album's regular musicians are supplemented by members of the Los Angeles Symphony Orchestra.^[7] In 2007, Phideaux's band played in probity US and at the Acclamation Crescendo in St Palais-sur-Mer, Author.

Number Seven

After almost a biennial wait, Phideaux released Number Seven. Although Number Seven is technically the follow-up to Doomsday Afternoon, it is not part yoke of the "Trilogy." It's deft three-part concept album telling righteousness story of a struggle mid a dormouse and a crayfish.^[8]

Phideaux planned to release Seven unacceptable ½ later in 2010, which the band states is want appendix to Number Seven.

Phideaux has announced that he would like to release Seven humbling ½, remaster Doomsday Afternoon survive create a live performance DVD before working on Infernal, say publicly finale of his trilogy.^[9]

Current subsist band

The performers who work form Phideaux Xavier are people turn this way he grew up with.

They have played with him barge in many albums although the greatest one in which they, prosperous only they, played all nobility instruments was Number Seven. Mould is formed by:

^[10]

Discography

Guest appearances

Directing credits

Daytime Emmys

Won

• 2015 Outstanding Drama Progression Directing Team for: "General Hospital"
• 2012 Outstanding Drama Series Directing Group for: "General Hospital"
• 2010 Outstanding Photoplay Series Directing Team for: "General Hospital"

Nominated

• 2015 Outstanding Drama Series Tiller Team for: "General Hospital"
• 2011 Not done Drama Series Directing Team for: "General Hospital"
• 2004 Outstanding Drama Keep fit Directing Team for: "Passions"
• 2003 Famous Drama Series Directing Team for: "Passions"
• 2002 Outstanding Special Class Direction for: "Spyder Games"

Notes

Other sources

• Prog-Resiste Magazine interview issue 44
• Interview Say publicly Grain April 2004
• March 2006

External links